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We have "cartesian blinders being put on us so that we are trying to make sense out of scraps of information and hints." - @bretweinstein
WEINSTEIN: I mean, even if you have your villains who are engaged in the behavior that motivated this war in Iran, even if that's the story, presumably most of the people in the path of these ferocious bombings that he is describing are not deserving of going back to the Stone Age.
In fact, I distinctly remember him telling us that part of what we were up to was liberating the people of Iran from their tyrannical regime.
So if it's the tyrannical regime that justifies the ferocious bombing, then it's a tragedy that other people are going to be sent back to the Stone Ages with them. Right?
HEYING: It's it's not a narrative. It's an incoherent set of talking points.
WEINSTEIN: Yeah, it's a kind of cheerleading that is completely inappropriate from the perspective of the president.
Bret Weinstein discusses the Trump administrations "back to the stone age" recent remarks in the latest episode of The Evolutionary Lens, Episode 320 "Are we back in the stone age?" on DarkHorse.
Bret Weinstein explains, "If you stop businesses from starting here, and if you drive people so that they move elsewhere—even though it's difficult to do—then the point is the tax base dries up, which then forces you to become even more predatory for the people who stayed.
And that's really the thing, right? They're setting themselves up so that they have to go after more and more people, because the people who are starting new businesses are not going to do it here."
You will have noticed that the internet is absolutely insane, and the world seems to be descending into a kind of chaos that drags everything in with it.
It’s absolutely clear to me that there is significant control over the information we see. I think there was more transparency during the Vietnam War in terms of journalism and footage than there is now with this war involving Iran. It feels like Goliath has near-complete control over what information we can and cannot see.
At the same time, something else stands out to me: the censorship complex, at least when it comes to discourse, seems to have shifted. During the COVID-19 era, platforms like YouTube and other tech giants actively worked to silence certain voices (e.g., Robert Malone, Peter McCullough, and Bret/Heather).
But now, it seems like the gates have been opened—dissenting voices are allowed more room (albeit often still demonetized...